The Hergiswald clock

Arri­ving from the south of Ger­ma­ny in 1489 the her­mit Johan­nes Wag­ner sett­led in Her­gis­wad – on the road from Kri­ens to the Eigen­tal. He took his fresh water from a natu­ral spring and soon the place and his her­mi­ta­ge were known for mira­cu­lous forces. At the begin­ning of the 16th cen­tu­ry the Lucer­ne coun­cil­lor Jakob von Wyl had a dwel­ling with an altar built for the hermit.

In the 17th cen­tu­ry it took various buil­ding steps to final­ly erect a church for pil­grimage. The church inte­ri­or includes a Lore­to Cha­pel and a so cal­led pic­tu­re cano­py depic­ting Chris­ti­an vir­tu­es in 333 emble­ma­tic pic­tures. This pain­ted panell­ing cei­ling insi­de the church was crea­ted in 1654 by Cas­par Meg­lin­ger, a signi­fi­cant repre­sen­ta­ti­ve of late Renais­sance pain­ting in Switz­er­land, who also crea­ted the Dance of Death on the Chaff Bridge in Lucerne.

The church for pil­grimage must have had a clock alre­a­dy at an ear­ly stage. In 1699 the church bells were reno­va­ted and in 1711 the Her­gis­wald clock was manu­fac­tu­red by the clock-maker Klin­gler from Ober­nau (Kri­ens). Klin­gler was the owner of a scy­the-smit­hy in Kri­ens which was situa­ted not too far away from the nail-for­ge on the Kri­en­bach. The nail-for­ge was ope­ra­ted by Johann Peter von Moos, who with this estab­lish­ment laid the foun­da­ti­ons for the Von Moo­sche Steel­works in Emmen in the 19th/20th century.

The clock was in the stee­p­le abo­ve the squa­ring of the church for pil­grimage and con­sists of clock-work and striking work. In 1858 the clock-work was con­ver­ted into today’s pivot escape­ment. The striking work has remain­ed unch­an­ged to this day.